![]() ![]() See the full demo and Gress’ other tips HERE. They can solve a lot of technical issues with your shots.” So the best thing we could do at this point would just be to add a reflector, which is exactly what my mentor told me to do 25 years ago-just use a window light and a reflector, possibly even an umbrella. “We probably need to even this out a little bit, especially the black in his hair. The exposure on Marcus’ face looks good, says Gress during the webinar-it is sharp on his right eye and not his left-but the shadows don’t have a lot of detail. A quick look at the first few images ensures that he is on the right track, technically. Time to add a reflector.įrom there, Gress allows the light coming through the window to dictate what the ISO will be (in this case, 400). yet effective way to add visual appeal and make your videos look polished and professional. at f/2 and 400 ISO, but the shadows, and the model’s black hair, don’t have a lot of detail in them. Learn how to add and customize transitions in VideoStudio. For the first demonstration, Gress shot at 1/125th of a sec. The reason behind me using 1/25th of a second is that it is about the slowest shutter speed that I could use before my shaky coffee hands get the best of me,” Gress says with a laugh. “The reason for this is that most prosumer or entry-level prime lenses are going to have an f-stop of around f/2. WATCH: John Gress on using a diffuser and umbrella to mimic window light. ![]() ![]() Or maybe it’s just an average day, and your client asks you to capture them in midair as they leap across the set, causing you to cringe.” “A dark and dreary day brings a sinking feeling as you begin to worry that your images will be blurry or noisy as you balance ISO, depth-of-field and your shutter speed on the edge of a knife-trying to eke out a professional image. “As photographers build their skills and start shooting portraits, it’s only natural to start using window light, but everyone runs into the same hurdles,” says Gress in the recent RF + WPPI webinar, Transitioning From Window Light to Flash (part of our Reset series). For our most recent Rf+WPPI webinar, presented by Tamron, Gress demonstrates a series of simple steps photographers can use to transition from window light to flash, which he says is more versatile. Professional photographer magazine calls Gress one of the nation’s foremost experts on lighting, and we agree. His work has included national lifestyle, advertising, portrait and videos for the beauty, industry and action photography of pro athletes. For over 20 years, John Gress has created stunning photography for some of America’s largest companies and international media outlets. ![]()
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